The ReDiscovery Series


Dates for the 2011-2012 Season have been announced. Please check our calendar for more information closer to the day of the reading.

  • Monday, September 26, 2011 – ReDiscovery Reading #1
  • Monday, December 19, 2011 – ReDiscovery Reading #2 - Egmont
  • Monday, February 27, 2012 – ReDiscovery Reading #3
  • Monday, June 4, 2012 – ReDiscovery Reading #4

Since the 1993-1994 Season, the Shakespeare Theatre Company has staged more 70 plays as part of its ReDiscovery Series. Now in its 18th year, the ReDiscovery Series has investigated many rarely produced classics that resulted in mainstage productions including Schiller’s Don Carlos (produced during the 2000-2001 Season), A Woman of No Importance by Oscar Wilde (produced during the 1998-1999 Season), The Silent Woman by Ben Jonson (produced during the 2002-2003 Season) and a new translation and adaptation of George Farquhar’s The Beaux’ Stratagem by Thornton Wilder and Ken Ludwig (produced during the 2006-2007 Season). In recent years, the series has led directly to newly commissioned adaptations by David Ives of French verse comedy: Pierre Corneille’s The Liar (produced in the 2009-2010 Season) and Jean-François Regnard’s The Heir Apparent (produced in the 2011-2012 Season). The series also included the sold-out world premiere of Tennessee Williams’ rediscovered one-act plays, Five by Tenn, at the Kennedy Center in 2001, a production later remounted in New York at the Manhattan Theatre Club.

Works for the ReDiscovery series are chosen by Artistic Director Michael Kahn and presented under the direction of Shakespeare Theatre Company's artistic staff. Guest artists join members of the Washington theatrical community to investigate classic works of world literature at the Lansburgh on several Mondays throughout the year. Guest scholars, translators and adaptors involved with the evening's reading also frequently participate in rehearsal, performance and post-performance discussions.

The ReDiscovery Series is made possible through the generosity of donors Ann K. Morales and Jean and David Grier.

The production history of the series is as follows:


2011


September 26

Marta the Divine, by Tirso de Molina (translated and adapted by Harley Erdman)


June 6

Don’t Play with Love, by Alfred de Musset (translated by Michael Sadler)


April 4

The Superior Residence, by Carlo Goldoni (translated by Frederick Davies)


February 28

The Government Inspector, by Nikolai Gogol (adapted by Jeffrey Hatcher)

2 010


October 18

Madness in Valencia, by Lope de Vega (translated and adapted by David Johnston)

May 17

Arden of Faversham, anonymous

March 15

Waste, by Harley Granville-Barker

2 0 0 9


December 7

Ruy Blas, by Victor Hugo

September 14

The Bourgeois Gentleman, by Moliere, adapted by Barry Kornhauser

June 1

Britannicus, by Jean Racine

April 20

Sir Patient Fancy, by Aphra Behn

2 0 0 8


December 15

The Gamester, by Jean-Francois Regnard, adapted by Freyda Thomas

October 20

The Dispute, by Pierre Marivaux

June 30

The Venetian Twins by Carlo Goldoni

March 31

The Liar  by Pierre Corneille, translated and adapted by Ranjit Bolt

February 4

The Demi-Monde  by Alexandre Dumas fils, translated by Barret Clark

2 0 0 7


December 10

The Jew of Malta by Christopher Marlowe

October 15

The Phantom Lady by Pedro Calderón de la Barca, translated and adapted by Richard Sewell

May 14

Sir Thomas More, attributed in part to William Shakespeare

April 22

The History of Cardenio, by William Shakespeare and John
Fletcher, an imaginative reconstruction by Gary Taylor

February 12

Edward III – attributed in part to William Shakespeare

2 0 0 6


December 4

The Belle's Stratagem – by Hannah Cowley, edited by Melinda Finberg and David McCallum

September 25

London Assurance – by Dion Boucicault

April 24

The Modern Husband – by Henry Fielding, adapted by Michael Kahn

February 20

Hernani – by Victor Hugo, translated and adapted by John Strand

2 0 0 5


December 5

The Voysey Inheritance – by Harley Granville-Barker

October 3

The Spanish Tragedy – by Thomas Kyd

May 2

The Beaux' Stratagem – by George Farquhar, adapted by Thornton Wilder and Ken Ludwig

February 7

A Busy Day – by Fanny Burney, adapted by Alan Coveney

2 0 0 4


December 6

The Dog in the Manger** – by Lope de Vega

September 20 and
October 18

Boston Marriage – by David Mamet

February 23

Nathan the Wise – by Gotthold Ephraim Lessing, translated by Edward Kemp

2 0 0 3


December 9

Lorenzaccio* – by Alfred de Musset – translated and adapted by John Strand

September 22

A Chaste Maid in Cheapside – by Thomas Middleton

February 27

Brand – by Henrik Ibsen

2 0 0 2


December 9

The Recruiting Officer – by George Farquhar

October 14

Turcaret – by Alain-René Lessage

February 25

Mulatto – by Langston Hughes

2 0 0 1


December 10

The Newly Discovered One Acts of Tennessee Williams

October 8

The Alchemist – by Ben Jonson

February 26

The Beaux' Stratagem * by George Farquhar

2 0 0 0


December

The Double Dealer – by William Congreve

October

The Silent Woman* – by Ben Jonson

1 9 9 8


December 7

The Alcestiad – by Thornton Wilder

February 23

The Wives' Excuse – by Thomas Southerne

1 9 9 7


December 15

Amphitryon – by Molière – translated by Richard Wilbur

September 29

The Surgeon of Honour – by Pedro Calderón de la Barca

May 12

Women Beware Women – by Thomas Middleton

March 3

All is True – by William Shakespeare and John Fletcher – adapted by Greg Doran

January 6

A Woman of No Importance* – by Oscar Wilde

1 9 9 6


November 4

The Roman Actor – by Philip Massinger

April 29

The Knight of the Burning Pestle – by Francis Beaumont and John Fletcher

March 11

The Tutor – by Jakob Lenz

1 9 9 5


December 11

Lorenzaccio – by Alfred de Musset

October 30

Ion** – by Euripides

May 15

The Malcontent – by John Marston

March 13

The Man of Mode or Sir Flopping Flutter – by George Etherege

January 9

Venice Preserved – by Thomas Otway

1 9 9 4


October 10

The Last Days of Don Juan – by Tirso de Molina

February 14

Brittanicus – by Jean Racine

1 9 9 3


The Relapse – by Sir John Vanbrugh

The Critic – by Richard Brinsley Sheridan Beaumont and John Fletcher

Don Carlos* – by Frederich Schiller

 


*Fully produced by the Shakespeare Theatre Company.

** To be produced by the Shakespeare Theatre Company as part of the 2008-2009 season.