The ReDiscovery Series
Works for the ReDiscovery series are chosen by Artistic Director Michael Kahn
and presented under the direction of the Company's artistic staff. Guest artists
join members of the Washington theatrical community to investigate these great
but lesser-known plays of world literature. The readings occur at the Lansburgh
on five Mondays throughout the year where guest scholars, translators and adaptors
involved with the evening's reading also frequently participate in rehearsal,
performance and post-performance discussions.
Now in its 14th season, the ReDiscovery Series has investigated many rarely
produced classics that resulted in mainstage productions including Schiller's Don
Carlos ( produced on the Shakespeare Theatre Company mainstage during the
2000-2001 season), A Woman of No Importance by Oscar Wilde (produced
on the Shakespeare Theatre Company mainstage during the 1998-1999 season), The
Silent Woman by Ben Jonson (produced on the Shakespeare Theatre Company
mainstage during the 2002-2003 season), a new translation and adaptation of Alfred
de Musset's Lorenzaccio by Washington playwright John Strand (produced
on the Shakespeare Theatre Company mainstage during the 2004-2005 season), and
a world-premiere translation and adaptation of George Farquhar's The Beaux'
Stratagem by Thornton Wilder and Ken Ludwig (produced on the Shakespeare
Theatre Company's mainstage during the 2006-2007 season). The series also included
the world-premiere, standing-room-only performance of Tennessee Williams' newly
discovered one-act plays, Five by Tenn (of which three plays were read
as part of the series) at The Kennedy Center, and re-mounted in New York at The
Manhattan Theatre Club.
The ReDiscovery Series is made possible through the generosity of donors Ann
K. Morales and Jean and David Grier.
The production history of the series is as follows:
2 0 0 7
| May 14 |
Sir Thomas More, attributed in part to William Shakespeare |
| April 22 |
The History of Cardenio, by William Shakespeare and John
Fletcher,
an imaginative reconstruction by Gary Taylor |
| February 12 |
Edward III – attributed in part to William Shakespeare |
2 0 0 6
| December 4 |
The Belle's Stratagem – by Hannah Cowley |
| September 25 |
London Assurance – by Dion Boucicault |
April 24 |
The Modern Husband – by Henry Fielding |
February 20 |
Hernani – by Victor Hugo |
2 0 0 5
December 5 |
The Voysey Inheritance – by Harley Granville-Barker |
October 3 |
The Spanish Tragedy – by Thomas Kyd |
May 2 |
The Beaux' Stratagem** – by George Farquhar |
February 7 |
A Busy Day – by Fanny Burney |
2 0 0 4
December 6 |
The Dog in the Manger – by Lope de Vega |
September 20
October 18 |
Boston Marriage – by David Mammet |
February 23 |
Nathan the Wise – by Gotthold Lessing |
2 0 0 3
December 9 |
Lorenzaccio* – by Alfred de Musset – translated
and adapted by John Strand |
September 22 |
A Chaste Maid in Cheapside – by Thomas Middleton |
February 27 |
Brand – by Henrik Ibsen |
2 0 0 2
December 9 |
The Recruiting Officer – by George Farquhar |
October 14 |
Turcaret – by Alain-René Lessage |
February 25 |
Mulatto – by Langston Hughes |
2 0 0 1
December 10 |
The Newly Discovered One Acts of Tennessee Williams |
October 8 |
The Alchemist – by Ben Jonson |
February 26 |
The Beaux'Stratagem ** – by George Farquhar |
2 0 0 0
December |
The Double Dealer – by William Congreve |
October |
The Silent Woman* – by Ben Jonson |
1 9 9 8
December 7 |
The Alcestiad – by Thornton Wilder |
February 23 |
The Wives' Excuse – by Thomas Southerne |
1 9 9 7
December 15 |
Amphitryon – by Molière – translation by
Richard Wilbur |
September 29 |
The Surgeon of Honour – by Calde ron de la Barca |
May 12 |
Women Beware Women – by Thomas Middleton |
March 3 |
All is True – by William Shakespeare and John Fletcher – adapted
by Greg Doran |
January 6 |
A Woman of No Importance* – by Oscar Wilde |
1 9 9 6
November 4 |
The Roman Actor – by Philip Massinger |
April 29 |
The Knight of the Burning Pestle – by Francis Beaumont and John
Fletcher |
March 11 |
The Tutor – by Jakob Lenz |
1 9 9 5
December 11 |
Lorenzaccio – by Alfred de Musset |
October 30 |
Ion – by Euripides |
May 15 |
The Malcontent – by John Marston |
March 13 |
The Man of Mode – by George Etherege |
January 9 |
Venice Preserved – by Thomas Otway |
1 9 9 4
October 10 |
The Last Days of Don Juan – by Tirso de Molina |
February 14 |
Brittanicus – by Jean Racine |
1 9 9 3
The Relapse – by Sir John Vanbrugh |
The Critic – by Richard Brinsley Sheridan Beaumont and John
Fletcher |
Don Carlos* – by Frederich Schiller |
*Fully produced by the Shakespeare Theatre Company.
** To be produced by the Shakespeare Theatre Company as part of the 2006-2007
season. |
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