Directed by Michael Kahn
Following the success of his 2011 production of Old Times, Michael Kahn returns to Pinter’s gripping realm of doubt and disquiet to direct a double bill of one-acts, considering how we construct our own realities, which truths we tell and which lies we choose to believe.
In The Collection, a jealous husband confronts the culprit, whom his wife may or may not have met. In The Lover, a couple calmly plans for their scheduled infidelity. In Harold Pinter’s world of revealing silences and pregnant pauses, the characters—and the audience—never know quite where they stand, embracing reality and fantasy with equal conviction.
Directed by Ethan McSweeny
Shipwrecked on the coast of Illyria, the quick-witted Viola assumes the disguise of a page boy for Duke Orsino and finds herself at the center of an explosive love triangle in which identity, passion and gender all threaten to come undone. Bursting with vitality and romance, Twelfth Night gives us one of Shakespeare’s most remarkable heroines matching wits with a host of captivating characters—from the love-struck Olivia to the puritanical Malvolio.
D.C. favorite Ethan McSweeny (A Midsummer Night’s Dream, The Tempest) brings his expressive visual style to this topsy-turvy dream world of poetry, music and mirth.
Directed by Michael Kahn
In the wake of his father’s abrupt death, Hamlet returns home from university to find his personal and political world changed as he never imagined it could—his mother remarried, his uncle on the throne and a world seemingly gone insane. When his father’s ghost appears and demands vengeance, the increasingly desperate Danish prince must decide: submit or resist. Accept or avenge. Live or die.
In Hamlet, the greatest character of Western literature confronts the meaning of life, the bonds and limits of flesh and blood, and the line between madness and inspiration—brought to the stage in Michael Kahn’s seminal production of Shakespeare’s masterpiece.
Directed by Joanna Settle
What does “home” mean and what we will do to protect it?
Noura challenges our notions of belonging, shame and sacrifice through a portrait of Iraqi immigrants in New York. As Noura and her husband Tariq prepare to celebrate a traditional Christmas, she looks forward to welcoming a special guest—Maryam, a young Iraqi refugee. But the girl’s arrival opens wounds the family has tried to leave behind, forcing them to confront where they are, where they’ve been and who they have become.
In this World Premiere production, award-winning playwright and performer Heather Raffo (9 Parts of Desire) draws on personal stories of Arab American women responding to A Doll’s House, Henrik Ibsen’s classic drama of one mother’s struggle to balance her duty with her identity.
STC will present the World Premiere of Noura as part of the second Women’s Voices Theater Festival, taking place in January and February of 2018. First launched in the fall of 2015, the Festival was created to highlight the scope of new plays written by female playwrights and the range of professional theatre being produced in and around the nation’s capital. Visit the Festival website for details.
Created by Druid
Directed by Garry Hynes
Lingering by the side of the road, killing time with hat tricks and half-remembered stories, Estragon and Vladimir dawdle through one of the greatest dramas of the 20th century. In Waiting for Godot, Samuel Beckett’s absurd, anarchic exploration of time, life is vaudeville and tragedy, philosophy and confusion, teetering on the edge of despair but tuned with Beckett’s unique blend of poetry and humor.
In this critically acclaimed production’s American premiere, Tony Award®-winning director Garry Hynes and Druid, Ireland’s most celebrated theatre company, offer a sharply funny and startlingly human take on Beckett’s enigmatic play.
Music by Frederick Loewe
Directed by Alan Paul
Amid mystical forests and grand castles, Camelot tells a strikingly familiar tale of a leader’s integrity, courage and empathy—a chronicle of the struggle for civilization and goodness in a world accustomed to violence and hate. With the legendary story of King Arthur’s Round Table, doomed romance and a stunning score (“If Ever I Would Leave You,” “I Loved You Once in Silence”), Camelot has won the hearts of generations of musical theatre lovers.
Winner of four Tony Awards®, Lerner and Loewe’s classic musical is a hymn to an era of leadership that upheld idealism and championed the potential of humankind, brought vividly to life by STC Associate Artistic Director Alan Paul (Kiss Me, Kate, Man of La Mancha).
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