“What could have been only a cleverly executed stunt is instead an intellectually and emotionally gripping study of the strangely enduring anachronism that is the British monarchy and of the contemporary, star-struck world that can still find room for its royals. And for Bardophiles, King Charles III provides the bonus of confirming the immortal topicality of Shakespeare.”
The New York Times

The Queen is dead. After a lifetime of waiting, Prince Charles ascends the throne with Camilla by his side. As William, Kate and Harry look on, Charles prepares for the future of power that lies before him…but how to rule? Written primarily in Shakespearean blank verse, this modern history play explores the people underneath the crowns, the unwritten rules of Britain’s democracy and the conscience of its most famous family.

Directed by Studio Theatre Artistic Director David Muse, Mike Bartlett’s Olivier Award-winning play makes a timely arrival in Washington, D.C. Pondering regime change and political upheaval while spinning a tale of modern royalty with classic language, Bartlett constructs a contemporary Shakespearean drama in our immediate future.


Read the reviews!

The Performers
(Tap for bio)
  • Jessica
    Michelle Beck

    STC:  Hamlet (Ophelia). NEW YORK: Broadway: A Raisin in the Sun; Off-Broadway: BAM/The Old Vic: As You Like It, The Tempest (The Bridge Project); LCT3: A Kid Like Jake; Public Theater: Richard III, Love's Labor's Lost; Theatre for a New Audience: Much Ado About Nothing; Pearl Theatre: Uncle Vanya; Epic Theatre: Measure for Measure; Red Bull: The Changeling; 59e59: The Sentinels. REGIONAL: Chicago Shakespeare Theatre: Twelfth Night; McCarter/ Yale Rep: Tartuffe; TheaterWorks Silicon Valley: Proof; Oregon Shakespeare Festival: The Winter's Tale, Cyrano de Bergerac. FILM: Sam & Julia, Spinning into Butter, The Third Option, Ambition’s Debt, Death of a Prince, Fish. TV: Homeland, Madam Secretary. AWARDS: Bay Area Theatre Critics Circle nomination for Proof. TRAINING: SUNY Purchase. WEB: ThisIsMichelleBeck.com

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

  • Cootsy, Sir Michael, Others
    Jefferson Farber

    STC: All’s Well That Ends Well. REGIONAL: Arena Stage: Vanya and Sonia and Masha and Spike; Signature Theatre: Shakespeare’s R&J; Sierra Repertory Theatre: Vanya and Sonia and Masha and Spike ; Barrington Stage Company: Breaking the Code; Constellation Theatre Company: Metamorphoses; Synetic Theater: Genesis Reboot. TV: House of Cards, Killing Kennedy. TRAINING: STC’s Academy for Classical Acting at The George Washington University: MFA; Millikin University: BFA.

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

  • Mr. Stevens
    Bradford Farwell

    NEW YORK: Broadway: Much Ado About Nothing, The Miser. REGIONAL: Nebraska Shakespeare: Hamlet, Othello, Cymbeline; American Player’s Theatre: She Stoops to Conquer, Henry V, The Misanthrope; A Contemporary Theatre: Worse than Tigers, Seven Ways to Get There Christmas Carol, Mary Stuart, Jekyll and Hyde; Seattle Repertory Theatre: Photograph 51, You Can’t Take it With You, The Imaginary InvalidTwelfth NightNoises Off, The Great Gatsby; Intiman Theatre: John Baxter, All My Sons,Grapes of Wrath, Richard III, A Thousand Clowns; Strawshop: Breaking the Code; Seattle Shakespeare: Measure for Measure, Cymbeline; New Century Theatre Company: company member, Festen, My Name is Asher Lev; 5th Avenue Theatre: Guys and Dolls. INTERNATIONAL: Stratford Festival: company member for three years. TV: Grimm, Leverage. TRAINING: Webber Douglas Academy of Dramatic Arts, London. WEB: BradfordFarwell.com.

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

  • Speaker of the House, Others, Sir Gordon
    Tim Getman

    STC: King Charles III, Merchant of Venice (Solanio), Camino Real (Streetcleaner). REGIONAL: Arena Stage: Death of a Salesman, A View From the Bridge, The Misanthrope, A Streetcar Named Desire; Folger Theatre: A Midsummer Night’s Dream, Elizabeth the Queen; Everyman Theatre: Company Member, Two Rooms, All My Sons, God of Carnage, Outside Mullingar; Olney Theatre Center: Night Must Fall, An Enemy of the People, Somewhere in the Pacific;Rep Stage: A Lie of the Mind, In the Heart of America (Helen Hayes Award nomination); Signature Theatre: The Lieutenant of Inishmore, In the Absence of Spring; Studio Theatre: Hand to God (Helen Hayes Award nomination), Water by the Spoonful, The Real Thing; Theater J: Photograph 51, The Chosen, Our Class, I-Ho, Copenhagen; Woolly Mammoth Theatre Company: Company Member, Kiss, Zombie, The Nether, Detroit, Appropriate, Gruesome Playground Injuries, The Unmentionables. TELEVISION: The District, VEEP, The Men Who Built America. AWARDS: Mary Goldwater Award. TRAINING: Macalester College; Trinity College Dublin.

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

  • James Reiss
    Dan Hiatt

    REGIONAL:  American Conservatory Theater:  Ah, Wilderness!, Major Barbara, Rosencrantz and Guildenstern are Dead, The Cherry Orchard, The Rivals; Berkeley Repertory Theatre:  Joe Turner’s Come and Gone, Dinner With Friends; Huntington Theatre:  The Way of the World, Mary Stuart; California Shakespeare Theatre:  As You Like It, Romeo and Juliet, Hamlet, Man and Superman, Nicholas Nickleby; Arizona Theatre Company:  The Two Gentlemen of Verona, Dirty Blonde; San Jose Repertory Theatre:  A Flea in Her Ear, This Wonderful Life; Marin Theatre Company: Othello, Anne Boleyn; TheatreWorks: Upright Grand, The Twentieth Century, The 39 Steps; Ford’s Theatre: Picasso at the Lapin Agile (Einstein). AWARDS: Helen Hayes nomination for Picasso at the Lapin Agile.

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

  • Spencer, Others, Kebab Seller
    Rafael Jordan

    NEW YORK: Off-Broadway: Resonance Theatre: Caesar and Cleopatra (Harold Clurman Theatre); Metropolitan Playhouse: Uncle Tom's Cabin (OBIE Award, Outstanding Season Achievement); Performa NYC Commission: I Feel Your Pain (with multiple OBIE Award-winner Kathryn Grody); Second Generation: Thunder Above, Deeps Below (World Premiere by Lark Fellow A. Rey Pamatmat); 2050 Legacy: Co-creator/co-director of CATALYST (NYC Fringe). REGIONAL: American Conservatory Theater: King Charles III, Love and Information, A Christmas Carol; Actors Theatre of Louisville: 365 Days/365 Plays and The Open Road Anthology; Aurora Theatre Company: American Buffalo (Theatre Bay Area Award, Best Ensemble Acting; Theatre Critics Circle Award, Best Production); California Shakespeare Theater: King Lear, The Tempest; Magic Theatre: Dogeaters, runboyrun (World Premiere by Mfoniso Udofia); Livermore Shakespeare: The Liar.  FILM: Me, You, & the Road (C&I Studios), The Best Laid Plans (Messyhouse Moving Productions), Othello the Web Series (Ready Set Go Theatre Company). TRAINING: American Conservatory Theater: MFA in Acting.

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

  • King Charles III
    Robert Joy

    NEW YORK: Broadway: Side Show, The Nerd, Hay Fever, Shimada, Abe Lincoln in Illinois; Off-Broadway: New York Shakespeare Festival: Head of Passes, Found a Peanut, The Taming of the Shrew, As You Like It; Playwrights Horizons: Life and Limb, Hyde in Hollywood, Lydie Breeze;Classic Stage Company: Good Night Desdemona (Good Morning Juliet);Drama Dept.: June Moon;Ensemble Studio Theater: Pigeon. REGIONAL: The Kennedy Center: Side Show; Old Globe: Twelfth Night (Malvolio); McCarter Theater: Baby Doll; Kirk Douglas Theater: The Nether (World Premiere); American Repertory Theater: Big River (Huck, World Premiere); Long Wharf Theater: Privates on Parade; New York Stage and Film: My Andy; Theatre by the Bay: The Tempest (Prospero); La Jolla Playhouse: Side Show, Romeo and Juliet (Mercutio, Drama-Logue Award). FILM: Atlantic City, Ragtime, Desperately Seeking Susan, Fallen, Resurrection, Land of the Dead, The Hills Have Eyes, The Shipping News, Harriet The Spy, Waterworld, Radio Days, Amityville 3D. TELEVISION: Grey’s Anatomy, The Good Wife, The Mentalist, Masters of Sex, Hand of God, Everybody Loves Raymond, CSI:NY (Sid Hammerback).

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

  • Ensemble
    Matthew Aldwin McGee

    STC: Henry IV, Parts 1 and 2, The Merry Wives of Windsor, The Two Gentlemen of Verona, Much Ado About Nothing (2011-2012 Acting Fellow). REGIONAL: Constellation Theatre: Taking Steps (Helen Hayes Award, Outstanding Supporting Actor), Scapin, Avenue Q (assistant director, puppet coach, Helen Hayes Award, Outstanding Musical), Urinetown; Imagination Stage: The BFG, Wonderland (upcoming); National Children's Theatre: The BFG; Studio Theatre: Rocky Horror; Folger Theatre: Romeo & Juliet; Flying V: Pirate Laureate and the King of the Sea; Edge of the Universe Players 2: Entertaining Mr. Sloane; LiveArt DC: The Merry Death of Robin Hood; WSC Avant Bard: The Good Devil, in Spite of Himself. OTHER: Freelance puppet designer. TEACHING: National Conservatory of Dramatic Arts.

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

  • Ensemble
    Yesenia Iglesias

    REGIONAL: Ford's Theatre: A Christmas Carol; Source Festival: Buried Cities; Seattle Children's Theatre: Mwindo (Gregory Nominee); Seattle Shakespeare Company/Wooden O: Henry V; Theatre 22: Water by the Spoonful; Sidecountry Theatre: Passing Strange; Annex Theatre: Is She Dead Yet? (Gregory Award). TRAINING: University of Washington (Professional Actor Training Program) WEB: YeseniaIglesias.com.

  • Prince William
    Christopher McLinden

    NEW YORK: LaMaMa: Tempest; Compagnia de Colombari: Everything That Rises Must Converge; New York Fringe: Nicholas, Maeve, Marianne. REGIONAL: Steppenwolf Theatre Company: Last of the Boys, Diary of Anne Frank; Writer’s Theatre: The Lion in Winter, The Seagull, Duchess of Malfi; Chicago Shakespeare Theater: Taming of the Shrew; Notre Dame Shakespeare Festival: Twelfth Night, Cymbeline; City Theatre of Pittsburgh: Speak American; American Theatre Company: Celebrity Row; Appletree Theatre: Vincent in Brixton; First Folio Shakespeare: A Midsummer Night’s Dream; Greasy Joan & Co.: The Lady From the Sea. FILM: Muhammad Ali’s Greatest Fight (HBO), 5-25-77 (Moonwatcher Films). TELEVISION: Boardwalk Empire (HBO), Alpha House (Amazon Studios). OTHER: Proud member of The Actors Center in New York City.

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

  • Ghost, Others, Newspaper Woman
    Chiara Motley

    REGIONAL: Virginia Stage Company: All My Sons (Ann Deever); Gulfshore Playhouse: The Butcher (Jane); Center Stage: It’s a Wonderful Life (Mary Hatch); Hudson Valley Shakespeare Festival: King Lear (Goneril); Denver Center for the Performing Arts: Three Musketeers (Madame Chevreuse); Seattle Shakespeare Company/Wooden O: Othello, A Midsummer Night's Dream, Richard III, The Comedy of Errors; A Contemporary Theatre: Persuasion (Anne Elliot). FILM: And, Apart. TRAINING: Stanford University: BA; National Theatre Conservatory: MFA.

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

  • Camilla
    Jeanne Paulsen

    NEW YORK: Broadway: Robert Schenkkan’s The Kentucky Cycle (dir. Warner Shook, starring Stacy Keach); The Crucible (Ann Putnam, dir. Richard Eyre, starring Liam Neeson and Laura Linney). REGIONAL: McCarter Theatre Center: The Figaro Plays (Marceline, dir. Stephen Wadsworth); Denver Center for the Performing Arts: Richard III (Margaret), Romeo and Juliet (Nurse), Doubt (Sister Aloysius), All My Sons (Kate Keller), Mrs. Warren’s Profession (Mrs. Warren), You Can’t Take It with You (Penny Sycamore), Side Man (Terry), Molly Sweeney (Molly); A Contemporary Theatre: A Moon for the Misbegotten (Josie); Intiman Theatre: Our Town (Mrs. Webb, dir. Bartlett Sher), The Little Foxes (Birdie), Faith Healer (Grace); South Coast Repertory: Holy Days (Rosie). AWARDS: Tony® nomination for Best Actress in a Supporting Role in The Kentucky Cycle; Los Angeles Drama Critics Circle Award for Lead Performance in Holy Days.

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

  • Prime Minister Evans
    Ian Merrill Peakes

    STC: The Taming of the Shrew. REGIONAL: Arden Theatre: Equivocation, Something Intangible (Barrymore Award), All My Sons (Barrymore Award), Three Days of Rain; Wilma Theater: Body of an American, The Invention of Love; Philadelphia Theatre Company: Sideman (Barrymore Award); Theatre Exile: Invisible Hand (Barrymore Award nomination), Red Light Winter (Barrymore Award nomination); Pennsylvania Shakespeare Festival; Walnut Street Theatre: Peter and the Starcatcher; People’s Light & Theatre; Folger Theatre: Rosencrantz and Guildenstern Are Dead (Helen Hayes Award), Othello, Henry VIII (Helen Hayes nomination), Macbeth (Helen Hayes nomination), The Game of Love and Chance (Helen Hayes nomination); Denver Center for the Performing Arts: The Catch, Glengarry Glen Ross, When Tang Met Laika; Actors Theatre of Louisville: The Crucible, Twelfth Night; Shakespeare Santa Cruz: Much Ado About Nothing; Pittsburg Irish & Classical Theatre: The False Servant. TELEVISION: Still Standing, Hack, Homicide. FILM: Lebanon, PA, Gentleman’s Game.

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

  • Prince Harry
    Harry Smith

    BROADWAY: King Charles III. REGIONAL: Wilma Theater: Body of an American, Rapture, Blister, BurnThe Real Thing; Walnut Street Theatre: And Then There Were NoneThe Mousetrap, An Ideal Husband; Delaware Theatre Company: The Explorers Club; Inis Nua Theatre Company: Pumpgirl, Walworth Farce, Hand of Gaul; Lantern Theater Company: Photograph 51, Emma; People's Light & Theatre: Pride and Prejudice; INTERNATIONAL: Edinburgh Royal Lycum: The Merchant of Venice; Bristol Old Vic: Twelfth NightLes Liaisons Dangereuses; Cambridge Arts Theatre: Serious Money; Old Fire Station (Oxford): Arcadia; Shakespeare's Globe: Gorboduc (Read, Not Dead series)FILM: Freedom. TELEVISION: The Good Wife, Crossbones. TRAINING: Cambridge University; Bristol Old Vic Theatre School. WEB: HarrySmith.info.

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

  • Kate
    Allison Jean White

    NEW YORK: Broadway: Man and Boy. Off-Broadway: Irish Repertory Theatre: The Shaughraun. NATIONAL TOUR: The 39 Steps. REGIONAL: American Conservatory Theater: King Charles III, The Realistic Joneses, The Imaginary Invalid, The Circle, Travesties, The Real Thing, A Christmas Carol; Seattle Repertory Theatre: King Charles III; Arizona Theatre Company: Disgraced; Berkeley Repertory Theatre: Heartbreak House; Northern Stage: Orwell in America; San Francisco Playhouse: Abigail’s Party; Virginia Stage Company: The Odd Couple; Living Room Theatre: Uncle Vanya; Magic Theatre: The Crowd You’re In With, Tir na nOg; Wellfleet Harbor Actors Theater: Red Light Winter. FILM: The Family Fang, We’re All Gonna Die. TELEVISION: The Blacklist, The Slap, High Maintenance, I Love You…But I Lied, As The World Turns. TRAINING: American Conservatory Theater: MFA in Acting; Brown University: BA in Theater.

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

The Artistic Team
(Tap for bio)
  • Director
    David Muse

    STC: Affiliated Artist; Associate Artistic Director, 2005–2010; Director: Coriolanus, Henry V, The Taming of the Shrew (Free For All), Romeo and Juliet, Julius Caesar, On the Eve of Friday Morning, Pericles (Free For All); Assistant Director: Othello, Lady Windermere’s Fan, The Tempest, Pericles, Macbeth; director of numerous readings, galas and special events; Master Acting Class instructor. REGIONAL: The Studio Theatre: Artistic Director since 2010; Director: 17 productions including Chimerica, Tribes, The Real Thing, The Habit of Art, Frozen, Blackbird, Mike Bartlett’s Cock (Helen Hayes Award for Outstanding Resident Production); Arena Stage: Frankie and Johnny in the Claire de Lune; Theatre Alliance: The Bluest Eye; New York Summer Play Festival: Patrick Page’s Swansong. TEACHING: Shakespeare Theatre Company’s Academy for Classical Acting; Georgetown University; Yale University. OTHER: New play development at numerous theatres including New York Theatre Workshop, Arena Stage, Geva Theatre, Kennedy Center, Ford’s Theatre. AWARDS: Six-time Helen Hayes Award nominee for Outstanding Direction; D.C. Mayor’s Arts Award for Outstanding Emerging Artist. TRAINING: Yale University: BA; Yale School of Drama: MFA in Directing.

  • Scenic Designer
    Daniel Ostling

    STC: Candide, Argonautika, Pericles. NEW YORK: Broadway: Clybourne Park (Walter Kerr Theatre, 2012 Tony Award® nomination), Metamorphoses (Circle in the Square Theatre, 2003 Tony Award® nomination); Off-Broadway: Brooklyn Academy of Music, New York Shakespeare Festival, Lincoln Center Theater, Public Theater, Playwrights Horizons. REGIONAL: American Conservatory Theater: Let There Be Love, The Orphan of Zhao, Major Barbara, Stuck Elevator, Endgame and Play, Once in a Lifetime, The Homecoming, Brainpeople; Lookingglass Theatre Company: Blood Wedding (directing and set design), ensemble member; Oregon Shakespeare Festival: Timon of Athens, Guys and Dolls; McCarter Theatre Center: All the Days; Long Wharf Theatre; Steppenwolf Theatre Company; La Jolla Playhouse; Seattle Repertory Theatre; Berkeley Repertory Theatre; Goodman Theatre. INTERNATIONAL: K-Ballet Company, Tokyo, Japan: Carmen. OPERA: Teatro alla Scala, Milan/Metropolitan Opera, New York/Tokyo: Lucia di Lammermoor; Metropolitan Opera: La sonnambula; Lyric Opera of Chicago: The Merry Widow; New York/London/Chicago: Philip Glass’s Galileo Galilei. TEACHING: Northwestern University.

  • Literary Manager
    Drew Lichtenberg

    STC: The School for Lies; Macbeth; King Charles III; The Secret Garden; Romeo & Juliet; The Taming of the Shrew; Othello; The Critic and The Real Inspector Hound; Kiss Me, Kate; Salomé; Tartuffe; Man of La Mancha; The Metromaniacs; The Tempest; As You Like It; Private Lives; Henry IV, Part 1 and 2; The Importance of Being Earnest; A Funny Thing Happened on the Way to the Forum; Measure for Measure; Coriolanus; Wallenstein; Hughie; A Midsummer Night’s Dream; The Government Inspector; The Merry Wives of Windsor; The Servant of Two Masters; Strange Interlude; The Two Gentlemen of Verona; Much Ado About Nothing; The Heir Apparent. REGIONAL: STC/McCarter Theatre Center: The Winter’s Tale; Center Stage: Caroline or Change, Cyrano, Around the World in 80 Days; Yale Repertory Theatre: Lulu (dir. Mark Lamos); Williamstown Theatre Festival: The Front Page, The Physicists, The Corn Is Green; New York Shakespeare Festival: Macbeth (dir. Moisés Kaufman). INTERNATIONAL: National Theatre: Salomé, Les Blancs (dir. Yaël Farber). OTHER: Yale School of Drama: Tarell McCraney’s In the Red and Brown Water (U.S. premiere); TEACHING: Catholic University of America; Eugene Lang College at the New School. TRAINING: Yale School of Drama: MFA in Dramaturgy & Dramatic Criticism.

  • Costume Designer
    Jennifer Moeller

    STC: Affiliated Artist; The Tempest (mainstage, 2016 Free For All), A Midsummer Night’s Dream (mainstage, 2015 Free For All), Julius Caesar (mainstage, 2011 Free For All),The Merchant of Venice, Richard II, Romeo and Juliet, Antony and Cleopatra, Tamburlaine, Richard III. NEW YORK: Off-Broadway: Shakespeare in the Park: Love’s Labour’s Lost; Signature Theatre: Dance and the Railroad; Primary Stages: Happy Now?. REGIONAL: Arena Stage/Oregon Shakespeare Festival: Sweat; Washington National Opera: La Boheme; Studio Theatre: Bachelorette, Venus in Fur; Glimmerglass Opera: Candide; The Old Globe: The Last Goodbye; McCarter Theatre Center: The How and the Why; Williamstown Theatre Festival: Six Degrees of Separation; Yale Repertory Theatre: The Winter’s Tale, dance of the holy ghosts; Berkshire Theatre Festival: Waiting for Godot; Chautauqua Theater Company: The Winter’s Tale. TRAINING: Yale School of Drama: MFA.

  • Lighting Designer
    Lap-Chi Chu

    STC: Romeo and Juliet. NEW YORK: Public Theater; New York Theatre Workshop; Signature Theatre; Second Stage Theatre; Performance Space 122; Kitchen Theatre Company. REGIONAL: Mark Taper Forum; Geffen Playhouse; South Coast Repertory; Oregon Shakespeare Festival; La Jolla Playhouse; Old Globe; Berkeley Repertory Theatre; Goodman Theatre; Arena Stage; Hartford Stage; Dallas Theater Center. OTHER: Lighting/video designer for chameckilerner Dance Company (United States/Brazil): Costumes by God, Visible Content, Hidden Forms, I mutantes seras, Por favor, Não me deixe. AWARDS: Recognition from Los Angeles Drama Critics Circle, Angstrom Award for Career Achievement in Lighting Design, multiple San Francisco Bay Area Theatre Critics Circle Awards, a Drammy Award for Best Lighting, and a Lucille Lortel Award nomination for The Good Negro at The Public Theater. TEACHING: Lighting design faculty, California Institute of the Arts.

  • Casting Director
    Janet Foster

    NEW YORK: Broadway: The Light in the Piazza (Artios Award nomination), Lennon, Ma Rainey’s Black Bottom, and Taking Sides; Off-Broadway: Playwrights Horizons: Nine and a half years, including Lucy, Brundibar, True Love, Endpapers, The Dying Gaul, The Maiden’s Prayer, The Trojan Women: A Love Story, Floyd Collins, The Monogamist, A Cheever Evening, Later Life. REGIONAL: Intiman Theatre; Seattle Repertory Theatre; California Shakespeare Theater; Berkeley Repertory Theatre; Dallas Theater Center; Yale Repertory Theatre; Goodman Theatre; Steppenwolf Theatre Company; The Old Globe; Center Stage (Baltimore); Westport Country Playhouse; American Repertory Theater. TELEVISION: Cosby (CBS), Tracey Takes On New York (HBO). FILM: Lewis Black’s The Deal, Advice from a Caterpillar. OTHER: The Day That Lehman Died (BBC World Service, Blackhawk Productions; Peabody, SONY, Wincott Awards), “T” is for Tom (Tom Stoppard radio plays, WNYC, WQXR).

  • Resident Casting Director
    Carter C. Wooddell

    STC: Othello (FFA); The School for Lies; Macbeth; King Charles III; The Secret Garden; Romeo & Juliet; The Tempest (FFA);The Taming of the Shrew; 1984 (children); Othello; The Critic and The Real Inspector Hound; Kiss Me, Kate; Salomé; A Midsummer Night’s Dream (FFA); Tartuffe; Dunsinane (supernumerary); Man of La Mancha; The Metromaniacs (STC and Old Globe); The Tempest; As You Like It; The Winter’s Tale (FFA); The Merry Wives of Windsor; Two Gentlemen of Verona; Much Ado About Nothing; The Merchant of Venice; ReDiscovery Reading Series. Other Casting Experience (McCorkle Casting, Ltd.): NEW YORK: Broadway: End of the Rainbow, High; Off-Broadway (partial): Tribes, Our Town, The Acting Company, Freud’s Last Session, A Perfect Future, The Irish Curse, An Error of the Moon; NYC Other: Lincoln Center Institute: Hamlet, Fly, Sheila’s Day. NATIONAL TOURS: The Acting Company, Riverdance. REGIONAL: Alley Theatre, Center Stage, Barrington Stage Company, The Broad Stage, Contemporary American Theater Festival, Crossroads Theatre Company, George Street Playhouse, Guthrie Theater, Pittsburgh Public Theater, TheaterWorks Hartford. RADIO: BBC Radio: The Piano Lesson. TELEVISION: Sesame Workshop: The Electric Company, Pilot: 27 East. FILM: Premium Rush (Columbia Pictures), Junction (Choice Films). TEACHING: Guest Lecturer at Rutgers University, BFA and MFA acting students.

  • Head of Voice and Text
    Lisa Beley

    STC: Othello (2017 Free For All); The School for Lies; Macbeth, King Charles III ; ACA: A Midsummer Night's Dream; Coriolanus. INTERNATIONAL: Vancouver, Canada: Rumble Theatre: Indian Arm; Vancouver Playhouse: The Music Man; Dorothy Somerset Studio: The Glass Menagerie, The Cherry Orchard; SFU Theatre: Laurier; Tooba Theatre: Twelfth Night; UBC Theatre: The House of Atreus, Arcadia; York University: Our Country’s Good. FILM: Dialect, voice or text: Warcraft, Horns, Firewall, Monster Trucks, Diary of a Wimpy Kid, Suckerpunch, The Watchman, Hidden, Apollo 18, The Uninvited, Hot Rod, Pirates of the Caribbean 3, Elektra. TELEVISION: Dialect: Tin Star, Bates Motel, The Wilding, The 100, Alcatraz, Rogue, Red Widow, The Secret Circle, Heavenly, The River, Human Target, The Good Wife, Inseparable, Cooking Lessons, Just Cause. OTHER: Acting: theatre, film and voice-overs; Directing: The Bay at Nice, Agamemnon. TEACHING: STC’s Academy for Classical Acting at The George Washington University: Voice, Speech and Text Instructor; Canada’s National Voice Intensive: Voice, Speech and Text Instructor. TRAINING: York University: MFA in Acting, Voice Teacher’s Diploma; University of British Columbia: BFA in Acting.

  • Production Stage Manager
    Joseph Smelser

    STC: 25 productions including The School for Lies; The Secret Garden (also at 5th Avenue Theatre); The Critic and The Real Inspector Hound (also at Guthrie Theater); Kiss Me, Kate; Man of La Mancha; The Tempest (Mainstage, 2016 Free For All); A Funny Thing Happened on the Way to the Forum; A Midsummer Night’s Dream (Mainstage, 2015 Free For All); Strange Interlude; All’s Well That Ends Well. REGIONAL: Arena Stage: Let Me Down Easy; Seattle Repertory Theatre: An Ideal Husband, A Doll’s House, Play On!, As You Like It, A Midsummer Night’s Dream, Peter Brook’s The Tragedy of Hamlet, Golden Child, Don Juan, Purgatorio, The Search for Signs of Intelligent Life in the Universe (with Lily Tomlin); American Conservatory Theater: The Rivals, The Circle, The Government Inspector, Edward Albee’s At Home at the Zoo, Vigil; Berkeley Repertory Theatre: Journey to the West, An Almost Holy Picture, Having Our Say; Regional Tour: Let Me Down Easy and Twilight: Los Angeles, 1992 (both with Anna Deavere Smith). TRAINING: Oberlin College: BA.

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

  • Assistant Stage Manager
    Elizabeth Clewley

    STC: Stage Manager: The Metromaniacs, The Importance of Being Earnest; Assistant Stage Manager: The Secret Garden, The Critic and The Real Inspector Hound, Salomé, Tartuffe, As You Like It, The Winter’s Tale (Mainstage and Free For All), Private Lives, Wallenstein, The Government Inspector, The Servant of Two Masters, The Two Gentlemen of Verona, Much Ado About Nothing, Julius Caesar (Free For All), Old Times, Cymbeline, Twelfth Night (Free For All), The Liar. REGIONAL: Hartford Stage: Stage Manager: Hartford Stage 50th Anniversary Gala; Assistant Stage Manager: Macbeth, La Dispute; Theater of the American South: Stage Manager: Driving Miss Daisy; Cape Fear Regional Theatre: Stage Manager: Thoroughly Modern Millie, Rodgers and Hammerstein’s Cinderella, Tuesdays with Morrie. INTERNATIONAL: International Festival of Arts and Ideas; Kennedy Center - International VSA Festival. TRAINING: East Carolina University: BFA in Stage Management.

    * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Manager

  • Associate Director
    Sivan Battat

    REGIONAL: American Conservatory Theater/Seattle Repertory Theatre: King Charles III; Studio Theatre: Chimerica, The Apple Family Cycle, Between Riverside and Crazy, Moment, Hedda Gabler; Mosaic Theater Company: Hkeelee (Talk to Me); Cape Cod Theatre Project; Arab-Hebrew Theatre of Jaffa; Jerusalem Stories; Elm Shakespeare Company. OTHER: New Work Development: Doris Duke Charitable Foundation Building Bridges Grant at Wesleyan University: In/Between with the Muslim Women’s Voices Series; Integrated Refugee & Immigrant Services and Collective Consciousness Theatre: Stories of a New America; Corrigan-Radgowski Correctional Center: SeaChanges. TRAINING: Wesleyan University; Moscow Art Theatre School.

  • Sound Designer/Composer
    Mark Bennett

    STC: Salomé, Coriolanus. NEW YORK: Broadway: Vanya and Sonia and Masha and Spike, Driving Miss Daisy, A Steady Rain, The Coast of Utopia (2007 Drama Desk Award for Outstanding Music in a Play), Henry IV, Golda’s Balcony, The Goat, or Who Is Sylvia?, Lily Tomlin’s The Search for Signs of Intelligent Life in the Universe; Off-Broadway: Brooklyn Academy of Music/The Old Vic Bridge Project productions from 2009 to 2012 (Sam Mendes, director), An Iliad (OBIE Award), Mad Forest; New York Theatre Workshop: My Children! My Africa!; Public Theater: original scores for eight Shakespeare in the Park productions. REGIONAL: Berkeley Repertory Theatre: Our Town, An Iliad, Mad Forest; La Jolla Playhouse: JUNK, His Girl Friday, Most Wanted, Dogeaters (world premiere), A Midsummer Night’s Dream (Craig Noel Award for Outstanding Sound Design); Old Globe: Arms and the Man, Pygmalion, Twelfth Night; AWARDS: 1998 OBIE Award for Sustained Excellence of Sound Design, the 1998 Bessie Award, an Ovation Award, two Garland Awards, and 14 Drama Desk Award nominations.

  • Movement Director
    Lisa Townsend

    NEW YORK: The Wooster Group: Early Shaker Spirituals (The Performing Garage). FILM: Townsend makes dance films in collaboration with photographer/bassist Piro Patton and is currently creating a new film, FitsAndStarts. AWARDS: Support from Creative Capital, Headlands Center for the Arts, the Zellerbach Family Foundation, Theater Bay Area (CA$H), and YBCAway. OTHER: Lisa Townsend Company/ Dance FraCas: original performance works combining dance, music, and theater, venues including:  NYC: St. Marks Church-in-the-Bowery, Movement Research at Judson Church, P.S. 122, LA: Los Angeles Theater Center, SF: Dance Mission Theater, ODC Theater, Cowell Theater; Resident Artist: The Joyce Theater in SoHo, Los Angeles Contemporary Exhibitions, the CounterPulse Artist Residency Commissioning Program, Choreographers in Mentorship Exchange, The Garage (San Francisco), ODC. TEACHING: Director of theater program for youth ages 8 through 14; American Conservatory Theater M.F.A. Program: adjunct faculty member, movement director: Crazy for the Country (dir.Stephen Buescher), The Rocky Horror Show (dir. John Carrafa).

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King Charles III

Feb 07 - Mar 18

Sidney Harman HallBy Mike Bartlett
Directed by David Muse
Produced in association with American Conservatory Theater and Seattle Repertory Theatre
Support provided by Dr. Paul and Mrs. Rose Carter.

Restaurant Partner:
Dirty Habit
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